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    《戲臺》觀后感

    時間:2025-11-10 09:11:01 觀后感

    《戲臺》觀后感

      當觀看完一部影視作品后,這次觀看讓你心中有什么感想呢?此時需要認真地做好記錄,寫寫觀后感了。可是觀后感怎么寫才合適呢?下面是小編收集整理的《戲臺》觀后感,希望能夠幫助到大家。

    《戲臺》觀后感

      國慶假期和同學擠在電影院看《戲臺》,本以為是個逗樂的喜劇,散場時卻發現自己手心都是汗。那些民國戰火里拼命唱戲的人,就像歷史書里掉出來的小人兒,讓我突然明白了課本里說的“文化傳承”有多重。

      During the National Day holiday, I crowded into the cinema with my classmates to watch 'Stage'. I thought it was a funny comedy, but when I finished, I found that my palms were sweaty. The people who sang opera desperately during the war of the Republic of China were like little people who fell out of history books, which suddenly made me understand what the textbook said; Cultural Inheritance” How heavy is it.

      電影里的德祥戲院是個小江湖。五慶班剛掛上《霸王別姬》的水牌,洪大帥的馬靴就踏碎了戲院門檻。這個軍閥把祖師爺木偶拴在槍桿上耍,逼著名角金嘯天給他唱堂會,活脫脫是課本里“強權霸道”的真人版。他嚷嚷“楚霸王不能死”時,后排男生笑作一團,我卻想起去年參觀抗戰紀念館看到的燒焦戲服——有些荒唐背后,藏著真實的心疼。

      The Dexiang Theater in the movie is a small world. As soon as the Wuqing class hung up the banner of "Farewell My Concubine", Hong Dashuai's boots broke the threshold of the theater. This warlord tied his ancestor's puppet to the barrel of a gun and forced the famous actor Jin Xiaotian to sing a hall meeting for him, which was like in textbooks; Powerful and domineering; The real-life version. He shouted loudly; The King of Chu cannot die; At that moment, the boy in the back row burst into laughter, but I remembered the burnt costumes I saw during my visit to the Anti Japanese War Memorial Hall last year; — Behind some absurdity lies genuine heartache.

      黃渤演的大嗓兒承包了全場笑點,卻讓我紅了眼眶。這個送包子的小哥被套上霸王戲服時,慌得差點被自己的褲腰帶絆倒,唱到“力拔山兮”還打了個飽嗝。可當洪大帥的槍頂住他后腰,他發抖的唱腔讓我想起運動會臨時頂替跑步的小明——我們只是怕丟臉,他怕的卻是丟命。原來小人物的堅持,都是裹著糖衣的黃連。

      Huang Bo's loud voice captured the laughter of the whole audience, but it made my eyes red. The little guy who gave buns was so panicked that he almost tripped over his pants and belt when he was put on a domineering costume, and he sang '“ Li Ba Shan Xi; I also burped heavily. But when Hong Dashuai's gun hit his lower back, his trembling singing reminded me of Xiao Ming, who temporarily replaced running at the sports meet; — We are just afraid of losing face, but what he is afraid of is losing his life. It turns out that the persistence of ordinary people is like coated Huanglian.

      陳佩斯演的侯班主總在彎腰,給軍閥鞠躬,給戲班子鞠躬,最后對著滿地碎瓷片給祖師爺磕頭。他說“戲比天大”,卻在槍口下改了戲本。有同學說他慫,可我看到他偷偷粘補撕碎的戲譜時,突然懂了:彎腰不是認輸,是為了讓戲能接著唱。就像奶奶總念叨,災荒年她抱著祖傳的月餅模子逃難,不是舍不得木頭,是舍不得模子上雕的花。

      Chen Peisi's portrayal of Hou Ban Zhu always bends down, bowing to warlords, bowing to the theater troupe, and finally kowtowing to the ancestral master in front of the broken porcelain pieces on the ground. He said, '; The play is bigger than the sky; But he changed the script at gunpoint. Some classmates said he was cowardly, but when I saw him secretly sticking and tearing up the score, I suddenly understood: bending down is not to give up, but to let the play continue to sing. Just like grandma always says, in times of famine, she escaped with her ancestral mooncake molds, not because she couldn't bear to part with the wood, but because she couldn't bear to part with the flowers carved on the molds.

      散場時路過校門口的糖畫攤子,金黃的糖稀正勾出蝴蝶翅膀。我想起電影里那句“戲臺不倒,燈火不滅”。當我們把京劇臉譜畫在校服上當時髦,卻分不清生旦凈丑時;當我們在短視頻里刷到川劇變臉,只會說“好酷”卻不知道《白蛇傳》時,我們是不是也在弄丟什么?

      At the end of the show, passing by the sugar painting stall at the school gate, the golden syrup was hooking butterfly wings. I remember the line from the movie, '; The stage does not collapse, the lights do not go out;. When we paint Peking Opera masks on school uniforms as fashionable, but cannot distinguish between the roles of Sheng, Dan, Jing, and Chou; When we see Sichuan Opera's face changing in short videos, we only say '“ So cool; But I don't know if we were also losing something during 'The Legend of the White Snake'?

      夜風送來遠處廣場舞的音樂聲,我攥緊兜里粘糖畫的竹簽。終于明白《戲臺》不是在講過去的故事——每個時代都有要守護的東西,就像侯班主護著戲本,奶奶護著月餅模子,而我要護著口袋里這枚粘著糖稀的竹簽。

      The night breeze brought the music of square dancing in the distance, and I clenched the bamboo stick with candy painting in my pocket. I finally understand that 'Stage' is not telling a story from the past; — There are things to protect in every era, just like Master Hou protecting the script, Grandma protecting the mooncake mold, and I protecting the candy stick in my pocket.

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